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Marc CHAGALL, The Creation of Man (La Création de l'Homme), 1959, white clay, decorated with slips and oxides, partially enameled with brush, 19 13/16 x 9 7/8 in. (50.4 x 25.1 cm), Private collection © Fabrice GOUSSET, Fabrice Gousset/ADAGP, Paris, 2024
Ceramic
The Creation of Man
(La Création de l'Homme)
- No. C-303
- 1959
- Wall ceramic
- white clay, decorated with slips and oxides, partially enameled with brush
- 19 13/16 x 9 7/8 in. (50.4 x 25.1 cm)
-
at the bottom left corner
on the back
at the bottom in the middle
- Private collection
Keyword:
Œuvres liées
Marc CHAGALL, Earthly Paradise (Le Paradis terrestre), 1959, white clay, decorated with slips and oxides, engraved with a knife and dry point needle, partially enameled with brush, 19 7/8 x 19 7/8 in. (50.5 x 50.5 cm), Albertina, Vienne © ADAGP, Paris, 2024
Marc CHAGALL, The Creation of Man (La Création de l'Homme), 1959, white clay, decorated with slips and oxides, engraved with a knife and dry point needle, partially enameled with brush, 19 13/16 x 9 7/8 x 1 in. (50.4 x 25.1 x 2.5 cm), Private collection © Fabrice GOUSSET, Fabrice Gousset/ADAGP, Paris, 2024
Marc CHAGALL, The Creation of Man (La Création de l'Homme), 1959, grog, slip and oxide decoration, partially enameled with brush, 14 3/8 x 7 5/16 in. (36.5 x 18.5 cm), Private collection © ADAGP, Paris, 2024
Marc CHAGALL, The Creation of Man (La Création de l'Homme), 1959, white clay, decorated with slips and oxides, partially enameled with brush, 19 11/16 x 9 7/8 x 1 in. (50 x 25.1 x 2.5 cm), Private collection © Fabrice GOUSSET, Fabrice Gousset/ADAGP, Paris, 2024
Marc CHAGALL, The Creation of Man (La Création de l'Homme), 1959, clay, decorated with slips and oxides, engraved with a dry point needle, brush-enameled, 29 15/16 x 19 7/8 in. (76 x 50.5 cm), Musée national Marc Chagall, Nice © Gérard BLOT/ADAGP, Paris, 2024
Marc CHAGALL, The Creation of Man (La Création de l'Homme), 1959, white clay, decorated with slips and oxides on white enamel, 19 13/16 x 9 7/8 in. (50.4 x 25.1 cm), Private collection © François FERNANDEZ/ADAGP, Paris, 2024